Nanta essays

Nanta expositions I had heard that the Korean play Nanta was a mainstream play, Nanta actually implies insane cooking gourmet specialist. I was blessed enough to get a seat legitimately before the stage. I was amazed at the crowed that had appeared at see the show. The play opened with the stage being enlightened by three candles, the candles were held three figures, a lady, a strong man, and a tall slim man. The figures set the candles on oriental tables which had just been put in front of an audience. Close by the candles there were little aluminum rice bowls and chopsticks. The figures started tapping the dishes gradually also, consistently the rhythm got, making a shocking sound. The figures smothered the candles. The rhythm eased back down from all the figures tapping to only a solitary individual The stage lights were transformed on and we were tossed into a café scene, where the café supervisor had given his three best culinary specialists the errand of setting up a banquet for a wedding service and furthermore help is nephew become a Nanta gourmet expert. Every cook had is or then again her own cutting utensil. The principal, I called little youngster, was the supervisors nephew, was a more youthful, littler culinary expert. He utilized well honed cutting blades. The second, I called solid kid, was youthful and had a strong form. His claim to fame was two axes. The third, I called little youngster she was short and thin and utilized two thin limited blades. The last I called old kid, was the most seasoned and tallest of the three. He additionally had caring blades. Bang, pound, pound, lumps of cucumber, carrot, onion, and cabbage were flung through the air. As every gourmet expert started cutting, slashing and cutting the vegetables on their scaled down gas ovens. The ovens not higher then the gourmet experts midriff, were furnished with wooden hacking sheets, cymbals and a burring eye for cooking. The culinary experts started moving the ovens around the phase as though they were synchronized swimm ... <!

Diabetes Essay Example | Topics and Well Written Essays - 2500 words

Diabetes - Essay Example Also, the paper gives an away from of the administration, confusion, and multi proficient diabetes benefits that are applicable to type 2 diabetes. 1.2 Case Study Sarah is 39 years of age woman admitted to the ward because of stomach torment, loss of weight, lack of hydration, and for the most part feeling unwell. On confirmation, Sarah doesn't have past clinical history yet hereditarily has diabetes and coronary illness. Through assessments, for example, chest x-beams, ECHO, blood and pee test, obviously there is glucose in the pee, with further examinations indicating that she has type 2 diabetes. At last, the examination gives proof on the assessment of instruction techniques according to the successful self administration on Sarah, and proof based information concerning evaluation, treatment and the executives dependent on the best treatment. ... Clearly, type 2 diabetes is brought about by a blend of hereditary variables that are identified with the emission of insulin, opposition of insulin and natural factors, for example, absence of activity, over eating and maturing. In addition, type 2 is a malady that is brought about by multi factors that involve various qualities and ecological components, which fluctuate depending with the circumstance (Barnett, A., 2011). None the less, the progression of type 2 diabetes is simply connected with a family ancestry of diabetes like on account of Sarah. The impressive higher concordance rate between monozygotic twins when contrasted with that between dizygotic twins shows the inclusion of hereditary elements. Thus, it is accepted that pathogenesis is associated with the hereditary variation from the norm, in the particles identified with the administrative arrangement of glucose digestion. The job of natural factors, for example, maturing, weight, deficient vitality utilization among others are free hazard factors that are related with type 2 diabetes. Disabled discharge of insulin and its genuine opposition add to the headway of way physiological conditions. Basically, debilitated insulin discharge is a decrease of the reaction of glucose, which is available at the beginning of diabetes. The resistance of glucose is incited by decrease of glucose reaction in the early period of insulin emission, far beyond, the decrease of insulin discharge after any suppers (Winter et al., 2002). This decrease is essential as it plays a premise way physiological change particularly when the illness is at the beginning time. If not treated it results to an abatement in pancreatic and cell mass in a person a circumstance that influences the long haul of blood glucose, (Williams

So You Want to Write Fantasy Read This First

So You Want to Write Fantasy Read This First A nostalgic return to Arabian Nights is all it takes to understand that fantasy is as old as storytelling itself. Indeed, most of our mythology across cultures is fantasy at its purest, and weve told fantastical stories since the beginning of human storytelling. All that to sayâ€"sorry, Tolkien, but its not all because of you.The face of modern fantasy is rather due to a collection of hobby gamers and pulp writers like J. C. Henneberger, a Chicago journalist who published Weird Tales in 1923. In fact, this article in the Boston Globe discusses the reasons why Tolkien is falsely assumed to be the father of fantasy.It was in the feverishly penned pages of Weird Tales, and rivals such as Unknown and the Magazine of Fantasy and Science Fiction, that several of fantasys most authoritative voices gained prominence. One was Robert E. Howard, creator of Conan the Barbarian; another was Fritz Leiber, one of the acknowledged inventors of low fantasy, which emphasizes gritty realism and is skep tical as to the possibility of Arthurian chivalry in a pre-modern world.Weird Tales also published H.P. Lovecraft, the Providence-born horror pioneer whose dystopian dread informs much modern imaginative fiction. The pulp writers were contemporaries of Tolkien, but operated in a far darker milieu. Howards Conan stories are rip-roaring and full-blooded, a tapestry of amoral protagonists, exposed flesh, and gory action. Leiber showed fantasy could be urbanâ€"and urbane.Ed Power, The Boston GlobeThere were pulp fantasy writers who were contemporaries of Tolkien, but operated in a far darker milieu. Photo by Monica Silva on Unsplash.With this intricate past woven into the heart of storytelling across cultures, any potential fantasy writer should understand the massive task at hand when setting out to follow in the footsteps of the greatsâ€"whether that be One Thousand and One Nights, or Howard, Tolkien, Lovecraft, and Leiber. Simply put, its a genre whose scope is limited only by human imagination, which has proven to be limitless so far.So how do you get started in this undertaking? Here are a few tips that have been curated by the experts you should consider before you begin writing.Mythology reveals the real world and the real world has multiple points of viewThe ancient Greeks understood that their mythological heroes lived out the fallible efforts of humanity. Within the stories of gods and demi-gods were lessons to be learned by those of us who are presumably lesser beings. Their struggles were ours, only magnified, and put into storytelling form to make the lessons more palatable.There really is no better advice on this topic than that given by George R.R. Martin, famed author of the A Song of Ice and Fire series, on which HBOs hit show Game of Thrones is based.In a discussion that took place at the Sydney Opera House, Martin said :My story is essentially about a world at war. It begins very small with everybody apart from Daenerys in the castle of Winterfe ll. Its a very tight focus, and then as the characters split apart, each character encounters more people and additional POVs come into focus.Its like if you were trying to do World War 2 as a novel: do you just take one average GI? Well that would only cover the European theatre, not the Pacific. Do you make Hitler a point-of-view character to show the other side? What about the Japanese or Italy? Roosevelt, Mussolini, Eisenhower â€" all these characters have a unique viewpoint that presents something huge in Word War 2.So you either need an omnificent viewpoint structure where youre telling it from the point of view of God, which is a pretty outdated literary technique, or you have a mosaic of people who are seeing one small part of the story and through that you get the entire picture. Thats the path I chose to take.George R.R. MartinPlay with fantasy clichésTo advise against using clichés in your fantasy is a slippery slope. On the one hand, agents and publishers look for fres h takes on old myths that can rise to the level of popularity of, for example, Neil Gaimans American Gods. On the other hand, the reason why these stories are so effective is because they are ingrained into our collective psyche after lifetimes and generations of hearing them. Heres what Martin has to say about it:I love fantasy and Ive been reading it all my life, but Im also very conscious of its flaws. One of the things that drives me crazy is the externalisation of evil, where evil comes from the Dark Lord who sits in his dark palace with his dark minions who all wear black and are very ugly. Ive deliberately played with that, where you have the Nights Watch who even though they are filled with thieves and poachers and rapers are heroic people â€" but they all wear black. And then there are the Lannisters who are tall and fair but arent the nicest people.George R.R. MartinEssentially, Martin understood that while fantasys clichés might be flawed, there are always ways to toy wi th them and surprise readers in the process. Whether you choose to use old myths in a reimagined way or a color scheme that goes against the grain (as Martin did), realize that you always have the power as a writer to turn clichés into something less predictable.Begin by worldbuildingThe amount of time you spend worldbuilding on the front end will likely be directly proportionate to the success of your fantasy novel. The reason why Tolkien is confused as the father of fantasy has much to do with the enormous effort he spent building worlds and including details of them in his plot.One important aspect of this step of worldbuilding is to give your world a history. This history can be based on real history, but it needs that backstory to become alive in the mind of the reader. Martin notes the importance of history in his own A Song of Ice and Fire success:Although my story is fantasy, it is strongly grounded in actual Medieval history. The War of the Roses was one of the major influ ences, which had the Yorks and the Lancasters instead of the Starks and the Lannisters. But I like to mix and match and move things around. As the famous saying goes; stealing from one source is plagiarism but stealing from lots of sources is research!George R.R. MartinSince much is involved in the process of worldbuilding, it is impossible to explain in detail how to do it for the scope of this article. However, this article about fantasy worldbuilding is a great resource and includes the multiple considerations youll need to have in the process of creating a great fantasy world.The amount of time you spend worldbuilding on the front end will likely be directly proportionate to the success of your fantasy novel. Photo by Alexander Andrews on Unsplash.Leave room for greyThe cliché of purely evil or purely good characters in fantasy is one that needs to go away. Martin put it this way:Grey characters have always interested me the most and I think the world is full of them. I read a lot of history, and I dont see any purely heroic characters or purely evil characters. You could pick the most extreme examples â€" Hitler famously loved dogs. Stalin, Mao, Genghis Khan; the great mass murderers of history were all heroic in their minds eye. Conversely you can read stories about all the saints from Catholic history and Mother Theresa or Ghandi and you can find things about them that were flawed or questionable actions that they undertook.Were all grey and I think we all have the capacity in us to do heroic things and very selfish things. I think understanding that is how you create characters that really have some depth to them. Even when Im writing someone like Theon Greyjoy, who many people hate, I have to try and see the world through his eyes and make sense of what he does.George R.R. MartinMake old things new againIf youre writing a fantasy novel with classic fantasy tropesâ€"elves, wizards, witches, dragons, etc.â€"do it only if youre fascinated by the trope a nd only if you have a fresh, modern take. Agents and publishers in fantasy look for these types of characters but want to see that the author has taken a new slant in telling a story about them. What happens when elves are in modern-day New York City? Or when dragons are born in someones backyard in Oklahoma? These are the types of fresh perspectives that will get your fantasy novel noticed.Know your subgenre and read it voraciouslyBeneath the genre umbrella of fantasy are several subgenres, with varying approaches to storytelling. Its important to know which subgenre youll be writing in, see who the most popular authors are within that subgenre, and then read it voraciously. This will give you the best education you need to know what agents, publishers, and readers are looking for. A great resource for researching fantasy subgenres is BestFantasyBooks.com. The website offers extensive details about the various subgenres, along with list of the top-ranked books (by readers) within e ach.Always remember, winter is comingMartins last piece of advice should be a part of any fantasy story you set out to write:Valar morghulis â€" all men must die. I think an awareness of our own mortality is something that concerns most art and literature. But I dont think that necessarily translates to a pessimistic worldview. Just like in the real world, my characters are only here for a short time; the important thing is that love, passion, empathy, laughter; even laughing in the face of death, is still possible. There is darkness in the world but we dont have to give way to despair. One of the best themes in The Lord of the Rings is that despair is the ultimate crime. Winter is coming, but you can light the torches and drink the wine and gather around the fire and continue to fight the good fight.George R.R. Martin

So You Want to Write Fantasy Read This First

So You Want to Write Fantasy Read This First A nostalgic return to Arabian Nights is all it takes to understand that fantasy is as old as storytelling itself. Indeed, most of our mythology across cultures is fantasy at its purest, and weve told fantastical stories since the beginning of human storytelling. All that to sayâ€"sorry, Tolkien, but its not all because of you.The face of modern fantasy is rather due to a collection of hobby gamers and pulp writers like J. C. Henneberger, a Chicago journalist who published Weird Tales in 1923. In fact, this article in the Boston Globe discusses the reasons why Tolkien is falsely assumed to be the father of fantasy.It was in the feverishly penned pages of Weird Tales, and rivals such as Unknown and the Magazine of Fantasy and Science Fiction, that several of fantasys most authoritative voices gained prominence. One was Robert E. Howard, creator of Conan the Barbarian; another was Fritz Leiber, one of the acknowledged inventors of low fantasy, which emphasizes gritty realism and is skep tical as to the possibility of Arthurian chivalry in a pre-modern world.Weird Tales also published H.P. Lovecraft, the Providence-born horror pioneer whose dystopian dread informs much modern imaginative fiction. The pulp writers were contemporaries of Tolkien, but operated in a far darker milieu. Howards Conan stories are rip-roaring and full-blooded, a tapestry of amoral protagonists, exposed flesh, and gory action. Leiber showed fantasy could be urbanâ€"and urbane.Ed Power, The Boston GlobeThere were pulp fantasy writers who were contemporaries of Tolkien, but operated in a far darker milieu. Photo by Monica Silva on Unsplash.With this intricate past woven into the heart of storytelling across cultures, any potential fantasy writer should understand the massive task at hand when setting out to follow in the footsteps of the greatsâ€"whether that be One Thousand and One Nights, or Howard, Tolkien, Lovecraft, and Leiber. Simply put, its a genre whose scope is limited only by human imagination, which has proven to be limitless so far.So how do you get started in this undertaking? Here are a few tips that have been curated by the experts you should consider before you begin writing.Mythology reveals the real world and the real world has multiple points of viewThe ancient Greeks understood that their mythological heroes lived out the fallible efforts of humanity. Within the stories of gods and demi-gods were lessons to be learned by those of us who are presumably lesser beings. Their struggles were ours, only magnified, and put into storytelling form to make the lessons more palatable.There really is no better advice on this topic than that given by George R.R. Martin, famed author of the A Song of Ice and Fire series, on which HBOs hit show Game of Thrones is based.In a discussion that took place at the Sydney Opera House, Martin said :My story is essentially about a world at war. It begins very small with everybody apart from Daenerys in the castle of Winterfe ll. Its a very tight focus, and then as the characters split apart, each character encounters more people and additional POVs come into focus.Its like if you were trying to do World War 2 as a novel: do you just take one average GI? Well that would only cover the European theatre, not the Pacific. Do you make Hitler a point-of-view character to show the other side? What about the Japanese or Italy? Roosevelt, Mussolini, Eisenhower â€" all these characters have a unique viewpoint that presents something huge in Word War 2.So you either need an omnificent viewpoint structure where youre telling it from the point of view of God, which is a pretty outdated literary technique, or you have a mosaic of people who are seeing one small part of the story and through that you get the entire picture. Thats the path I chose to take.George R.R. MartinPlay with fantasy clichésTo advise against using clichés in your fantasy is a slippery slope. On the one hand, agents and publishers look for fres h takes on old myths that can rise to the level of popularity of, for example, Neil Gaimans American Gods. On the other hand, the reason why these stories are so effective is because they are ingrained into our collective psyche after lifetimes and generations of hearing them. Heres what Martin has to say about it:I love fantasy and Ive been reading it all my life, but Im also very conscious of its flaws. One of the things that drives me crazy is the externalisation of evil, where evil comes from the Dark Lord who sits in his dark palace with his dark minions who all wear black and are very ugly. Ive deliberately played with that, where you have the Nights Watch who even though they are filled with thieves and poachers and rapers are heroic people â€" but they all wear black. And then there are the Lannisters who are tall and fair but arent the nicest people.George R.R. MartinEssentially, Martin understood that while fantasys clichés might be flawed, there are always ways to toy wi th them and surprise readers in the process. Whether you choose to use old myths in a reimagined way or a color scheme that goes against the grain (as Martin did), realize that you always have the power as a writer to turn clichés into something less predictable.Begin by worldbuildingThe amount of time you spend worldbuilding on the front end will likely be directly proportionate to the success of your fantasy novel. The reason why Tolkien is confused as the father of fantasy has much to do with the enormous effort he spent building worlds and including details of them in his plot.One important aspect of this step of worldbuilding is to give your world a history. This history can be based on real history, but it needs that backstory to become alive in the mind of the reader. Martin notes the importance of history in his own A Song of Ice and Fire success:Although my story is fantasy, it is strongly grounded in actual Medieval history. The War of the Roses was one of the major influ ences, which had the Yorks and the Lancasters instead of the Starks and the Lannisters. But I like to mix and match and move things around. As the famous saying goes; stealing from one source is plagiarism but stealing from lots of sources is research!George R.R. MartinSince much is involved in the process of worldbuilding, it is impossible to explain in detail how to do it for the scope of this article. However, this article about fantasy worldbuilding is a great resource and includes the multiple considerations youll need to have in the process of creating a great fantasy world.The amount of time you spend worldbuilding on the front end will likely be directly proportionate to the success of your fantasy novel. Photo by Alexander Andrews on Unsplash.Leave room for greyThe cliché of purely evil or purely good characters in fantasy is one that needs to go away. Martin put it this way:Grey characters have always interested me the most and I think the world is full of them. I read a lot of history, and I dont see any purely heroic characters or purely evil characters. You could pick the most extreme examples â€" Hitler famously loved dogs. Stalin, Mao, Genghis Khan; the great mass murderers of history were all heroic in their minds eye. Conversely you can read stories about all the saints from Catholic history and Mother Theresa or Ghandi and you can find things about them that were flawed or questionable actions that they undertook.Were all grey and I think we all have the capacity in us to do heroic things and very selfish things. I think understanding that is how you create characters that really have some depth to them. Even when Im writing someone like Theon Greyjoy, who many people hate, I have to try and see the world through his eyes and make sense of what he does.George R.R. MartinMake old things new againIf youre writing a fantasy novel with classic fantasy tropesâ€"elves, wizards, witches, dragons, etc.â€"do it only if youre fascinated by the trope a nd only if you have a fresh, modern take. Agents and publishers in fantasy look for these types of characters but want to see that the author has taken a new slant in telling a story about them. What happens when elves are in modern-day New York City? Or when dragons are born in someones backyard in Oklahoma? These are the types of fresh perspectives that will get your fantasy novel noticed.Know your subgenre and read it voraciouslyBeneath the genre umbrella of fantasy are several subgenres, with varying approaches to storytelling. Its important to know which subgenre youll be writing in, see who the most popular authors are within that subgenre, and then read it voraciously. This will give you the best education you need to know what agents, publishers, and readers are looking for. A great resource for researching fantasy subgenres is BestFantasyBooks.com. The website offers extensive details about the various subgenres, along with list of the top-ranked books (by readers) within e ach.Always remember, winter is comingMartins last piece of advice should be a part of any fantasy story you set out to write:Valar morghulis â€" all men must die. I think an awareness of our own mortality is something that concerns most art and literature. But I dont think that necessarily translates to a pessimistic worldview. Just like in the real world, my characters are only here for a short time; the important thing is that love, passion, empathy, laughter; even laughing in the face of death, is still possible. There is darkness in the world but we dont have to give way to despair. One of the best themes in The Lord of the Rings is that despair is the ultimate crime. Winter is coming, but you can light the torches and drink the wine and gather around the fire and continue to fight the good fight.George R.R. Martin